I’ve had my new Canon EOS 1D Mark IV camera for a little over a week now and I thought I would share a little bit about my experience with it so far. This is my first pro level 1D series camera and it really is a different beast than the Canon EOS 40D that I’ve been using for the last couple of years. I have definitely had a steep learning curve while figuring out the differences between the 1D and the 40D. Regardless, I have some definite thoughts already and I wanted to share them here. I’d love to hear some feedback from other people who have already made the jump or are planning to do so soon. Please hit me in the comments below!

The Things I Really Like

1. High ISO Performance: Simply put, this camera shots in the dark. I’m not a major pixel peeper and I haven’t done any measurements using a microscope or by zooming in to 10000%, but it’s very clear just by looking at the images shot at ISO 5000 that they are cleaner than images at 1000 on my 40D. I have no problem just letting the Auto ISO pick whatever ISO it needs.
2. Dynamic Range: Not only is the ISO performance better, but this camera also finds detail in the shadows unlike any camera I’ve ever used before. Some of the images right out of the camera have some of that surreal tonemapped look that HDR images often display. In fact some of my images see into dark areas that I could barely see with my eyes. It’s really quite incredible.
3. Auto ISO: I typically shoot in aperture priority and with my 40D I often had to manually choose a higher ISO than that camera would pick in auto mode just to maintain an acceptable shutter speed. The Mark IV knows what ISO it needs to pick to prevent motion blur and it has such a huge range of acceptable ISO’s that it has a huge amount of leeway to do so. This is absolutely my favorite feature of the new camera!
4. 7 Stop Auto Exposure Brackets: I do a lot of exposure blending and I love to have 5 to 7 images to choose from. I don’t always use them all, but it’s nice to have them. The 40D will shoot a maximum of 3 images per bracket and as a result I always had to shoot 2 brackets to get the shots I wanted. This often caused a slight shift in the camera position while I was changing the exposure setting, and resulting images were out of register. I love that I can now just tell the camera to shoot 7 images and then use the self timer to let it rip!
5. Better Autofocus: The autofocus system on this camera is so different than the 40D that it’s still a little bit alien to me. I haven’t quite figured out how to use best it in every situation, but two things are really great. The first is the AF speed. Every one of my lenses focuses faster and more accurately on this camera than they did on my 40D. I know that my 40D needs an overhaul and I will be sending it to Canon soon. But even when it was brand new it didn’t perform anywhere near as well as this one. The other thing is that I can now shoot with lenses (or combination’s of lenses and teleconverters) having a maximum aperture of only f/8. Previously when I used a TC on my Canon EF 100-400mm f/4.5-5.6 L IS lens (which has an effective maximum aperture of f/8) on the 40D I had to manually focus the lens. The 1D Mark IV has no problem focusing with this combination, even in the relatively low light after the sun sets or before it rises. It is fast and accurate and that’s a good thing! (Yes, I realize that this combination is not recommended, but sometimes that extra length is the most important factor…)
6. 2 Card Slots: I love that every one of my images can be immediately backed up onto a second card at the time of capture. I’m a backup fanatic and this is a huge improvement over having only 1 card slot. Unfortunately video can only be saved on one card, so it doesn’t get backed up in camera.
7. Video: Speaking of video… I’ve never been much of a videographer, but I have been doing more and more of it lately and I’m increasingly excited that this camera has a 1080p HD video mode. I will definitely be using it, but I also have a lot to learn before I can do it effectively.

The Things I Don’t Like

1. No Custom Exposure Modes: My 40D has three programmable modes on the mode dial (C1, C2, and C3) that could be programmed with shooting settings for instantly access in different shooting settings. I used these all the time and the fact that the 1D cameras don’t have them surprised me a lot. I knew that there was no mode dial, but I still expected to be able to choose the custom modes using the same mode button and menu used to choose the other exposure modes. I think the rationale for not having them is that most pros will carry 2 (or more) cameras and each camera will be set up for a specific type of shooting. But it would be so easy to include them for those of us that don’t want to carry 2 big cameras all the time that I just can’t understand why Canon would leave them out.
2. 2 Types of Card Slots: I love that there are two slots, but I hate that I now need 2 different types of memory cards. I’ve been shooting solely on CompactFlash cards for a long time and now I also need to carry SDHC cards. Fortunately SDHC cards are relatively cheap and I was able to pick up a few at very reasonable prices over the holiday season.
3. No Dedicated Video Start Button: The live view mode can be used to control the still shooting settings, or for shooting video, but not both. If you want to switch between them then you must first go into the menu to tell the camera if live view should be used for stills or for video. This is really annoying for anyone that uses the camera for both video and for landscape shooting, and there should be a way to switch between the modes without having to dive into the menus.

The Things that are Just Different (not better, not worse)

• Size: the 1D is much bigger and heavier than the 40D. I don’t mind this, but it does take some getting used to.
• Integral Battery Grip: this is a big part of the reason why it is bigger and heavier. Some people will love this as it gives a lot more battery power and also provides an extra set of shooting controls for when the camera is in the portrait orientation. I’ve never really had a burning need for either of these features, so it’s not really a big advantage for me. I will definitely use the extra controls for shooting portrait, but I’ve never had a problem with battery life before.
• No Pop-Up Flash: I almost never used the flash on my 40D, so not having one on the Mark IV won’t hurt me. I’m more than a little dissapointed that the 1D didn’t get the built in wireless flash controller that the Canon EOS 7D recently came out with, but even that’s not that big a loss. I normally use radio frequency remote triggers for my flashes anyway.

Well that’s everything I have to say for now. These are just my initial impressions and I’m sure that these lists will grow over the coming weeks and months as I learn more about my camera. Like I said above, I’d love to hear about your thoughts and experiences, so please leave a comment with anything you’ve got!

The recent release of the Canon EOS 7D has created quite a stir in the photography community. Initially people weren’t sure where this camera fit into the lineup of existing Canon cameras. From the naming convention it appears to fit somewhere between the 50D and the 5D Mark II; however, the feature set is so impressive that many assumed that it was intended to slot in above the 5D in the hierarchy. As the dust has settled it appears more and more that Canon has created a new product line designed to directly fight the Nikon D300s which is positioned in the market in a place where Canon had no comparable equipment.

Marketing aside, the 7D has a very impressive list of specifications and the image quality appears to be at least as good as the 50D (with increased resolution at 18 megapixels for the 7D vs. 15 megapixels for the 50D). It may not quite match the standard set by the full-frame 5D Mark II, but this is clearly one of the best SLR cameras ever produced.

Here are a few of the main reasons why I’m excited by this addition to the Canon family:

1. New Autofocus System: I’ve had the Canon 40D for almost 2 years (and 70,000 images) and in that time I’ve never really loved the autofocus system. It works well in some situations, poorly in others, and OK in most. But I’ve always felt that it could be faster and more accurate, and could do more to help me achieve critical focus. For the 7D Canon is boasting that the brand new “19-point, all cross-type AF system equipped with dual diagonal cross-type sensors in center at f/2.8 and f/5.6 and AF area selection modes to match various shooting situations” will be exactly what I’ve been asking for: faster and more accurate. I certainly hope they’re right.
2. Low Light / Low Noise Shooting: It seems that I can almost always use a little bit faster shutter speed and so higher ISO’s with lower noise levels are definitely exciting. I use ISO800 all the time with my 40D and the noise in those images is “acceptable” but often much uglier than I want it to be. In my opinion ISO1600 is not at all usable except in those extreme situations where getting any shot is better than getting nothing at all. I was able to test a 50D for an extended period and on that camera I find the images made at ISO1600 to be comparable to those at 800 on my camera, and the 7D is supposed to be even better yet. This is a very good thing and I’m excited at the possibility of having a camera where ISO3200 is a reality, not just a crazy dream!
3. Lots of Megapixels: Lately lots of people have been crying for the camera companies to stop chasing megapixels and focus more on reduced image noise. Not me. I want both! I shoot lots of birds and wildlife which can often be very small in the frame, and more megapixels means that I can crop my images tighter and post yet still have a large file for multi purpose use. So while I’m happy that this camera is 18 megapixels, I’d be even happier with more. Canon, keep the pixels coming!
4. HD Video: This isn’t so much exciting for me as it is very interesting. I don’t shoot a lot of video, but I do want to be able to in a pinch. I’m used to always having a point and shoot nearby to use for the occasional video that I want to shoot, but it would be much nicer to have it built into my SLR. The fact that the 7D includes 1080p High Definition video, with the amazing control over depth of field that only comes with an SLR is really nice. Video has already become a de facto industry standard for SLR’s, but I’m glad that Canon is pushing the quality envelope with the video capabilities implemented in this camera.
5. Wireless Flash Control: I’m saving the best for last with this one… The 7D comes with built-in capability to control multiple external Speedlite flashes wirelessly using TTL metering. That means that the camera can control the output level of each flash where in the past an external flash with Speedlite Master capability, or a dedicated wireless Master controller, had to be mounted on the hotshoe of the camera. These units are heavy, bulky, and expensive! Canon has long been way behind Nikon in this one little detail as most (all?) Nikon SLR’s have been able to control slave flashes wirelessly for a long time. Anyone even remotely aware of the Strobist movement will immediately understand why this is a big deal. It’s not just big, it’s huge!

I don’t necessarily think that the Canon EOS 7D is the perfect camera. In fact it only adds one of the features that I really want in my next camera (AF Microadjustment, which has also already become a de facto industry standard feature). But it is a huge leap over the existing xxD cameras and in many ways an improvement over the much more recent 5D Mark II. The main thing for me is that it shows that Canon hasn’t been sitting on their laurels and that they have some fantastic new technology ready to roll. Upcoming releases in the 1D and 5D series could get very exciting!

I’ve wanted this for a long time, but all the hype around the new iPhone 3GS with its bigger, better, and badder camera (that also now does video) has really got me thinking about it.  One of the greatest things about the camera in the iPhone is that it is fully accessible by the applications in the gadget.  Programmers have created a slew of apps that allow the user to control the camera however she wants.  From interval timers, panoramic stitchers, exposure bracketing, or special effects “filters” that allow you to change the entire look and feel of the resulting image right in the camera (errr, phone).  If you have an iPhone then you should check out “Camera Bag“, “Pro Camera“, and “Pano“ for some very cool add-ons to the native camera functionality in the iPhone.  (While you’re at it you can also read “5 Tips for Making Great iPhone Photos” from professional photographer Chase Jarvis for some great tips on making better images with your iPhone.) 

Sure you can do many of these effects in post-processing afterwards using software like Adobe Photoshop, Corel Painter, the Gimp, but the ability to do them in camera is very appealing to many people (not to mention that you can quickly and easily add your final image to an email or upload it to Flickr without ever having to take it over to your computer first).  And besides, there are many effects that you simply can’t do in post, such as change the shutter speed, so to be able to do them in the camera is very important.

Since I don’t have an iPhone (I have an iPod Touch but inexplicably it doesn’t include a camera), I really want to have some of this programmable functionality in my Canon 40D.  The 40D is a fantastic camera, and Canon has gone a long way in providing user control over the camera.  But as the iPhone proves, there is so much more that can be done, and I really want to be able to control my camera how I want to control it.  The camera already has a very powerful computer built in, so this should be a no-brainer. 

Here are a few of the things that I want control over:

1. Multiple Exposure Bracketing – natively I can only create a 3 image bracket.  When shooting HDR images I typically use 5 to 7 images over a 5 to 9 stop exposure range and I want to be able to set that up easily in my camera. As it is now I have to shoot multiple 3-stop brackets to creat a set with the entire range of exposures that I might want to use.
2. Interval Timer – currently I would have to buy a very expensive Remote Shutter release in order to fire my camera at regular intervals (eg. to create time lapse sequences).  Many inexpensive point and shoot cameras have this built in, so it should be included in every high end SLR as well.
3. Auto ISO – Canon provides a crude Auto ISO feature where it will automatically ramp the ISO up or down based on the exposure, but it doesnt’ work very well. Really it simply sets the camera at the default ISO (400 on my 40D) and only raises or lowers it if it absolutely must (eg. if the camera is maxed out on Shutter speed then it will drop the ISO from 400 down to 200).  But it could be so much better.  I want to be able to set a minimum shutter speed (eg. 1000) which would then force the ISO up as high as the camera requires in order to get the desired exposure.  I also want to be able to set a minimum and maximum ISO based on my shooting conditions and the intended use of the image.  If I’m using my tripod to shoot landscapes then I want the cleanest image possible and I generally don’t care how long the shutter speed is, so let me choose ISO 50. or 25.  But if I’m handholding the camera while shooting sports, then I don’t want the shutter to go below about 1/1500th and I want the largest aperture possible, so I want ISO 1600.  There are all kinds of personalized situations like these that have their own scenarios.  Let me have the control!
4. AF Microadjustment – all the newest cameras have functions built in to allow them to adjust the focus system to correct for front and back focus, without having to send your camera / lens combination in to the manufacturer for mechanical adjustment.  I want that!

There is so much more that I want to be able to control in my camera that I could write on and on.  I guess what I really want is something similar to the CHDK to be made available for DSLR’s, and I want it to be officially supported via an API from Canon.  I want it to be open sourced, or at least open to outside developers to write Apps or Scripts for the camera.  And I want it now!  I don’t think this is too much to ask. 

Apple got it right with the iPhone camera, and now it’s time for Canon, Nikon, Sony, and all the other camera manufacturers to follow suit!