The recent release of the Canon EOS 7D has created quite a stir in the photography community. Initially people weren’t sure where this camera fit into the lineup of existing Canon cameras. From the naming convention it appears to fit somewhere between the 50D and the 5D Mark II; however, the feature set is so impressive that many assumed that it was intended to slot in above the 5D in the hierarchy. As the dust has settled it appears more and more that Canon has created a new product line designed to directly fight the Nikon D300s which is positioned in the market in a place where Canon had no comparable equipment.

Marketing aside, the 7D has a very impressive list of specifications and the image quality appears to be at least as good as the 50D (with increased resolution at 18 megapixels for the 7D vs. 15 megapixels for the 50D). It may not quite match the standard set by the full-frame 5D Mark II, but this is clearly one of the best SLR cameras ever produced.

Here are a few of the main reasons why I’m excited by this addition to the Canon family:

1. New Autofocus System: I’ve had the Canon 40D for almost 2 years (and 70,000 images) and in that time I’ve never really loved the autofocus system. It works well in some situations, poorly in others, and OK in most. But I’ve always felt that it could be faster and more accurate, and could do more to help me achieve critical focus. For the 7D Canon is boasting that the brand new “19-point, all cross-type AF system equipped with dual diagonal cross-type sensors in center at f/2.8 and f/5.6 and AF area selection modes to match various shooting situations” will be exactly what I’ve been asking for: faster and more accurate. I certainly hope they’re right.
2. Low Light / Low Noise Shooting: It seems that I can almost always use a little bit faster shutter speed and so higher ISO’s with lower noise levels are definitely exciting. I use ISO800 all the time with my 40D and the noise in those images is “acceptable” but often much uglier than I want it to be. In my opinion ISO1600 is not at all usable except in those extreme situations where getting any shot is better than getting nothing at all. I was able to test a 50D for an extended period and on that camera I find the images made at ISO1600 to be comparable to those at 800 on my camera, and the 7D is supposed to be even better yet. This is a very good thing and I’m excited at the possibility of having a camera where ISO3200 is a reality, not just a crazy dream!
3. Lots of Megapixels: Lately lots of people have been crying for the camera companies to stop chasing megapixels and focus more on reduced image noise. Not me. I want both! I shoot lots of birds and wildlife which can often be very small in the frame, and more megapixels means that I can crop my images tighter and post yet still have a large file for multi purpose use. So while I’m happy that this camera is 18 megapixels, I’d be even happier with more. Canon, keep the pixels coming!
4. HD Video: This isn’t so much exciting for me as it is very interesting. I don’t shoot a lot of video, but I do want to be able to in a pinch. I’m used to always having a point and shoot nearby to use for the occasional video that I want to shoot, but it would be much nicer to have it built into my SLR. The fact that the 7D includes 1080p High Definition video, with the amazing control over depth of field that only comes with an SLR is really nice. Video has already become a de facto industry standard for SLR’s, but I’m glad that Canon is pushing the quality envelope with the video capabilities implemented in this camera.
5. Wireless Flash Control: I’m saving the best for last with this one… The 7D comes with built-in capability to control multiple external Speedlite flashes wirelessly using TTL metering. That means that the camera can control the output level of each flash where in the past an external flash with Speedlite Master capability, or a dedicated wireless Master controller, had to be mounted on the hotshoe of the camera. These units are heavy, bulky, and expensive! Canon has long been way behind Nikon in this one little detail as most (all?) Nikon SLR’s have been able to control slave flashes wirelessly for a long time. Anyone even remotely aware of the Strobist movement will immediately understand why this is a big deal. It’s not just big, it’s huge!

I don’t necessarily think that the Canon EOS 7D is the perfect camera. In fact it only adds one of the features that I really want in my next camera (AF Microadjustment, which has also already become a de facto industry standard feature). But it is a huge leap over the existing xxD cameras and in many ways an improvement over the much more recent 5D Mark II. The main thing for me is that it shows that Canon hasn’t been sitting on their laurels and that they have some fantastic new technology ready to roll. Upcoming releases in the 1D and 5D series could get very exciting!

I finally got around to finishing “The Hot Shoe Diaries: Big Light from Small Flashes” by Joe McNally and I wanted to share a few of my thoughts about it.

I’ve actually had this book for a long time now and I’ve been reading it gradually, one or two sections at a time. My life has been crazy busy and I simply didnt’ have enough time to sit down and read it straight through. But I wanted to (it’s that good)!

It’s not exactly a continuation of his first book, “The Moment It Clicks: Photography secrets from one of the world’s top shooters“, but it’s written in a very similar style. If you liked the first one you will definitely like this one as well.

The Moment it Clicks was more about the backstory behind each image while The Hot Shoe Diaries is about the thought process involved in creating each image. Where Moment present a single image on each two-page spread and included some descriptive text about the people involved or the location used, Hot Shoe is broken down into short chapters about different lighting techniques. Each technique is presented over 2-3 pages and usually uses 2-3 images showing how the scene looked before and after the lighting was completed. Sometimes there are a couple of different images from each shoot instead. For almost every technique McNally includes a lighting diagram (typically a rough sketch on a used napkin, see the Napkin Notebook) showing where each light and modifier were positioned relative to the subject and the photographer. This is essential information for anyone that really wants to understand how the image was created.

On the surface this book is a technical manual by a Nikon shooter using Nikon Speedlites. But it’s really so much more than that. It really is an attempt to show some of the thought processes required to make some of the iconic images that Joe has produced over the years. It’s about thinking through the requirements of the image rather than simply about the gear involved, and that makes it extremely powerful. Because thinking can be used over and over again no matter what gear is used.

The fact is that the Canon and Nikon lighting systems both have very similar capabilities. Some of the gear from the smaller manufacturers does too. As long as you can understand what techniques are involved, it really doesn’t matter what gear you have. It is a relatively trivial thing to translate “Speedlight with i-TTL and CLS” (Nikon) to “Speedlite and e-TTL” (Canon). And you can always use your old Vivitar flashes in manual mode to accomplish the same effect (maybe it won’t be quite so easy, but it works). You can head over to Lighting 101 by the Strobist to learn more about that.

Joe’s witty and slightly self-deprecating writing style is extremely easy to read (check out his blog if you don’t already read it), and he has this way of spinning some of the most amazing tidbits of life knowledge together into a web with his intended subject. It’s very easy to get lost in what you’re reading and to only truly coem to understand what you learned upon later reflection. Sometimes the best parts of this book aren’t even anything photographic; there are lots of life lessons and tidbits on how to work with people buried amongst Joe’s inner thoughts on how the world works.

I really loved The Moment it Clicks and I was very happy to discover that The Hot Shoe Diaries lived up to that promise. I highly recommend this book for anyone that wants to quickly make their photography better.