I posted an article yesterday describing a method to reduce noise from photographic images shot at high ISO by using a free Action for Adobe Photoshop and Adobe Lightroom called the OD Virtual Tripod Action.

In that article I used an example image that was shot at ISO 400. I realized when I was writing it that the example image may not have been the most convincing; however, it was the best example I had at the time.

So I went out at sunrise and created a new series of images that could really demonstrate how well this action works.

This new example image was created from a series of 11 images that I shot in rapid fire on my Canon 1D Mark IV at ISO 12,800. I deliberately underexposed the images, which always results in noiser images than images that are exposed correctly. I also turned off all noise reduction in Lightroom. The resulting image (upper left) after applying the action is still somewhat noisy, but I think it’s a much more pleasant or organic noise than the originals.

Check out a closeup of the original image on the left below. It is really, really ugly. Now compare it to the image on the right. This is the resulting image after the OD Virtual Tripod Action has been applied. I think the result speaks for itself.

For more information about the OD Virtual Tripod Action check out the original article.

Download the Free OD Virtual Tripod Photoshop Action

• OD Virtual Tripod (Photoshop Action)

Almost every new SLR camera shipped in the last few years has included a feature known as “Live View”. For Point and Shooters it has been a given that you would be able to see a live image of your intended subject before you squeeze the shutter, but for digital SLR’s it has always been a little bit more complicated.

The thing is, there’s a darn mirror inside the camera that gets in the way, and it has to be moved before the camera sensor can see the same scene that the lens sees. It took the manufacturers a few years to figure out how to make it all work elegantly (in fact it’s still not perfect because autofocus performance takes a big hit in live view mode, but that’s a subject for another article). In the mean time SLR shooters never got used to having live view on the back of their cameras, and it’s one of those features that gets used very rarely (almost never) by most serious photographers.

Here are 5 reasons why you should use Live View for landscape photography:

1. Bigger Viewfinder: Let’s face it, the viewfinder in your SLR is small. Even if you’ve got one of those fancy-pants professional cameras that shows 100% of the image that the sensor sees (most non-pro SLR’s only show 90-95% of the scene), it’s still very small. With a bigger view you can get better compositions and more easily see the distractions and annoying backgrounds that you might not notice otherwise. Simply put, bigger is better baby!
2. Testing Critical Focus: While in live view mode you can zoom the image on the LCD (typically 5x or 10x) to get a much better idea of what you are actually focusing on. This is particularly helpful for macro photography, but it’s also great for landscapes.
3. Stronger Compositions: The image displayed on the LCD during Live View typically includes grid lines to help you compose your image. These lines can help you check that your horizons are straight and level and that your trees and buildings are vertical. They can even help you improve your composition by clearly showing guidelines for compositional rules of thumb such as the “Rule of Thirds.”
4. White Balance Preview: When you change the white balance setting in your camera, the image in your viewfinder doesn’t change, so you really can’t be sure how it’s going to look. Fortunately the image on the LCD changes instantly to show how your white balance affects the image. Sure, you can change the white balance in software (such as Adobe Lightroom) later (if you shoot RAW), but why not get it right in the camera instead? I find this feature to be invaluable when I’m trying to decide if I really have a good image in front of me…
5. Exposure Simulation and/or Live Histogram: For some users the single biggest reason to use Live View is for the exposure simulation (the live preview image in the LCD will automatically adjust based on the exposure settings to display the brightness of the final image). Alternatively you could simply choose to show a live histogram (which would also represent the final image rather than what you’re seeing on the screen) overlaid on the live image. Both of these features are very useful for preventing blown highlights or underexposed images. You can even use both at the same time.

There are many other great reasons to use live view for all types of photography. These are just a few of the best reasons that are most applicable to landscape shooters. Do you use live view? Please leave a comment telling me about your experiences with it… If you haven’t used it before then you should definitely give it a try on your next shoot!

I get asked for recommendations for photography books all the time.  I’ve read over 40 books on various aspects of photography in the last couple of years and I almost always have a good book to suggest (of course lately those books have typically been authored by Kelby or McNally).  A friend recently asked for a recommendation for a book about wildlife photography that he could pass on to someone planning a 5 week trip to Africa.

This is a topic with which I am extremely familiar as I shoot birds and wildlife it all the time.  But I quickly realized that this is one particular photography subject on which I had seen very few books, and for the most part those books that I have read have been entirely unremarkable.  Most of what I know on about making images of wildlife has either been self taught or been learned by applying lessons from other photographic topics to my wildlife photography.  Let’s face it, photography is photography and the basic rules of composition and exposure don’t change if you’re shooting a bride at a wedding or a bear in Alaska.  There may be other obvious similarities as well!

Yet I still wanted to be able to provide some ideas about some books to start with, so I went to Google and Amazon for some ideas.

I quickly found that the vast majority of “Wildlife Photography” books are about pictures of wildlife rather than about photography (a subtle but important distinction).  It immediately become clear to me that the search would have to be expanded to birds, nature, and/or travel photography (and in fact maybe travel photography would be a better subject for someone planning a 5 week long trip anyway…).  Using this expanded criteria I came up with three books to recommend, but they are older books and they may be tough to find new copies of.  Your local library may be your best bet if you want these books:

(NOTE – there may be some newer, better, and badder books available on the subject but I make a point of recommending only books that I have actually read…)

1. Moose Peterson’s Guide to Wildlife Photography: Conventional and Digital Techniques – Although it’s getting a little long in the tooth (it was published in 2003) the basic techniques presented haven’t changed in many years and this book is still very useful.  Unfortunately this book is very Nikon centric and some people find it difficult to get past that if they shoot a different brand of camera.  I can generally apply the same principles to any camera so it doesn’t really bother me.  Moose Peterson is widely considered to be the Dean of wildlife photography and his blog may be even more useful than this book.
2. The Art of Bird Photography: The Complete Guide to Professional Field Techniques – Also published in 2003, and also somewhat dated, this book by Arthur Morris is the go-to book for anyone that wants to get into bird photography.  Again the principles can easily be applied to any other photographic subject and much of the information is timeless.  Artie (as he likes to be called) is widely considered to be the Dean of bird photography and he has a lot of information to share.  Although this book went out of print years ago, Morris recently aquired the publishing rights and reprinted it himself. It is now available from his online store at his Birds as Art website.  While you’re there consider checking out his blog and his email newsletter.  They both contain lots of extremely valuable information.
3. John Shaw’s Nature Photography Field Guide - Another oldie (from 2001), but it’s still a goodie.  This book has far less to do with wildlife photography and is much more about nature and landscape, but there is still good stuff.  And if you’re on a trip it’s not going to be all about animals anyway.  The major weakness here is the almost complete lack of information from the digital age.  It’s an easy read though and it has some really great stuff inside…

I’ve got a bonus pick for you that’s more about vision and creativity in photography than it is about any specific genre of photography, and it is definitely not a technical “how-to” kind of book.  It gets lumped into the Travel Photography category because that’s the author’s specialty, but it could easily be included in many other categories as well.

“Within the Frame: The Journey of Photographic Vision” by David duChemin

 I couldn’t include it in my original list because I haven’t finished reading it yet.  In fact I’ve only read the first couple of chapters, but it is shaping up to be an excellent read AND it’s getting more rave reviews from the photography community than pretty well any other book I’ve seen published.  This book is deifnitely worth checking out if you are planning a trip, or even if you want some help pushing your photography to the next level.